As Mogey and Smush entered the local honky-tonk (which was called The Donkey Honk), they immediately noticed a new band was playing on the sawdust-strewn stage.
"Where's Bleak Pete?" Mogey demanded of the barkeep.
"And where's his Sadly-Go-Glumly Band?" Smush added.
"Disneyland," said the bartender. "The whole gang of 'em go every year. Supposedly they just ride It's a Small World over and over. But The Baked Beanz are good. You should check 'em out!"
Check 'em out, the pals did, and they quickly realized the barman was correct. With vocals nearly as smooth as Willie Nelson and a laid-back attitude similar to Willie Nelson, plus the melodic musings of Willie Nelson, they reminded Mogey of a country music superstar of yesteryear, though he couldn't put his finger on which one.
"You guys sound great," he said, approaching the stage after The Baked Beanz concluded a set.
"Do you play?" asked the lead singer, Nillie Welson.
"Of... of course," Mogey replied.
"Come join us for a song!" offered the lead guitarist, Nell's son, Willie. "Want to take over the six string?"
"I couldn't possibly," Mogey demurred. "I've no idea how you put that wonderful twang into your strumming."
"Banjo then?" suggested Sonnell E. Will, the banjoist.
"The centerpiece of twang in every one of your songs? That's too much pressure!"
"How about the drums?" asked Nellie Willson, drummer extraordinaire.
"You know what I loved - and could never duplicate - about your drumming?" Mogey said. "The twang."